{"id":20507,"date":"2016-11-24T05:28:45","date_gmt":"2016-11-24T10:28:45","guid":{"rendered":"https:\/\/www.expo67.museum\/news\/une-balade-aux-couleurs-dexpo-67\/"},"modified":"2016-11-24T05:28:45","modified_gmt":"2016-11-24T10:28:45","slug":"une-balade-aux-couleurs-dexpo-67","status":"publish","type":"news","link":"https:\/\/www.expo67.museum\/en\/news\/une-balade-aux-couleurs-dexpo-67\/","title":{"rendered":"Une balade aux couleurs d\u2019Expo 67"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>En 1967, Louise Arbour payait ses \u00e9tudes de droit en travaillant comme<br \/>\nt\u00e9l\u00e9phoniste \u00e0 Expo 67. Elle se souvient qu\u2019elle parlait alors<br \/>\ndifficilement l\u2019anglais. Depuis, la juriste a \u00e9t\u00e9 haute-commissaire des<br \/>\nNations unies aux droits de l\u2019homme et si\u00e8ge \u00e0 titre de juge ad hoc \u00e0 la<br \/>\nCour internationale de justice.<\/p>\n","protected":false},"featured_media":20508,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"tags":[],"media":[1125],"class_list":["post-20507","news","type-news","status-publish","has-post-thumbnail","hentry","media-le-devoir"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.expo67.museum\/en\/wp-json\/wp\/v2\/news\/20507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.expo67.museum\/en\/wp-json\/wp\/v2\/news"}],"about":[{"href":"https:\/\/www.expo67.museum\/en\/wp-json\/wp\/v2\/types\/news"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.expo67.museum\/en\/wp-json\/wp\/v2\/media\/20508"}],"wp:attachment":[{"href":"https:\/\/www.expo67.museum\/en\/wp-json\/wp\/v2\/media?parent=20507"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.expo67.museum\/en\/wp-json\/wp\/v2\/tags?post=20507"},{"taxonomy":"media","embeddable":true,"href":"https:\/\/www.expo67.museum\/en\/wp-json\/wp\/v2\/media?post=20507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}